Scenes From A Marriage, in Triplicate
In 1974, Roger Ebert called Ingmar Bergman’s Scenes from A Marriage “one of the truest, most luminous love stories ever made.” It makes us re-examine the nomenclature of love. “His married couple are Swedish upper-middle-class. He is a professor, she is a lawyer specializing in family problems (for which, read divorce). They have two daughters, who remain off screen. They are intelligent, independent. She truly believes their marriage is a happy one (although she doesn’t much enjoy sex). One evening, he comes to their summer cottage and confesses that he has gone and fallen in love with someone else. There is … Continue reading →